He is cast out of this community, either because it can no longer exist or because it must become conscious of itself, and of its relationship to the exterior world, for him to survive. SHADOW OF A DOUBT belongs to a popular genre in Hollywood film: the coming to consciousness of an adolescent, or of the representative of an Edenic community (childhood, nature, the small town).
keywords: Alfred Hitchcock, Dial M for Murder (1954), Edna May Wonacott, Funerals, Henry Travers, Hume Cronyn, James Stewart, Joseph Cotten, Macdonald Carey, Marnie (1964), Patricia Collinge, Psycho (1960), Rear Window (1954), Santa Rosa, California, Shadow of a Doubt (1943), Stage Fright (1950), Suspicion (1941), Teresa Wright, Tom Helmore, Topaz (1969), Torn Curtain (1966), Vertigo (1958)Ĭtx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=CHARLIE%27S+UNCLE%3A+Ronnie+Scheib+on+SHADOW+OF+A+DOUBT&rft.jtitle=Film+Comment&rft.au=Ronnie+Scheib&rft.date=&rft.pub=Film+Society+of+Lincoln+Center&rft.issn=0015-119X&rft.volume=12&rft.issue=2&rft.spage=55&rft.externalDocID=1577455071 LinksĪlmost whimsically, Uncle Charlie stresses his option to keep the spectator in his highly uncomfortable position as long as he chooses his remarks to the landlady supply perfect verbal counterpoint to the visual mystification practiced by the camera placement When he does act, when he smashes the glass, his face is no longer visible, separating identity and action.Sloan's Alfred Hitchcock: A Filmography and Bibliography (1995) - page 422, #469.
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